If you want to know who’s related to whom in the plant world, don’t look at the leaves. Leaves are terrible gossips—flighty, suggestible, and easily swayed by weather. Look at the flowers. Flowers are the family archivists. They file everything neatly and don’t embellish.
Consider cabbage and wild mustard. One is a plump, obliging vegetable that sits in your fridge like a small green cannonball. The other is a scrappy roadside opportunist. You would never guess they’re kin—until you peer at the blossoms and find the same tidy four-petal cross and the same peculiar “four long, two short” stamens. At that moment, the plants more or less stand up and introduce themselves: “Brassicaceae. Pleased to meet you.”
Leaves and stems change with the neighborhood—more shade, fewer teeth; more wind, thicker skin. Flowers don’t. They are reproductive machinery, and nature, being practical, doesn’t do experimental jazz with reproductive machinery. The basic floral plan—how many parts, where they sit, whether they fuse or keep politely to themselves—is laid down early and kept consistent within lineages. That consistency is why the botanists of yore (Linnaeus among them, a man who would have alphabetized cloud shapes if you let him) learned to read flowers like birth certificates.
In short:
Count the parts.
Note the symmetry.
See where the ovary sits (on top like a cherry, or tucked below like an apple).
Ask who’s fused to whom.
It’s not romance; it’s accounting. And it works.
Most flowers are built in four concentric rings, like a very polite wedding cake:
Sepals: the green jacket.
Petals: the advertising department.
Stamens: the pollen producers.
Carpels (the pistil): the seed-making core.
Botanists have dignified names for these—perianth, androecium, gynoecium—which you needn’t remember unless you enjoy Scrabble. What matters is that the blueprint is shared in broad outline, and the variations—how many petals, whether stamens are fused, whether the carpels merge—signal ancestry.
Mustard family (Brassicaceae): Four petals in a cross, six stamens (four long, two short), superior ovary. Once you see it, you cannot unsee it. Cabbages, radishes, arugula—all flock to the same floral pattern like relatives to a buffet.
Legume family (Fabaceae): Flowers with bilateral symmetry and a banner, wings, and keel—a whole nautical scene in one blossom. Usually 10 stamens, often fused. Peas, beans, lupines, clover: different habits, same script.
Rose family (Rosaceae): Habitually five sepals + five petals, lots of stamens, and often a floral cup (hypanthium). Apples and strawberries look like wildly different fruits because they are—but their flowers signed the same club membership form.
Two more worth knowing:
Daisy family (Asteraceae): The “flower” is not a flower. It’s a composite head of many tiny florets pretending to be one. Efficient showmanship. Sunflowers, daisies—grand deception artists.
Grasses (Poaceae): Reduced perianth (lodicules so small you could lose them in a sneeze) and wind-pollination pragmatism. Not pretty, very effective.
A first glance tells you a lot:
Radial symmetry (actinomorphic): slice it like a pizza—many neat wedges.
Bilateral symmetry (zygomorphic): one clean split, like a face.
Rosaceae mostly do pizza. Fabaceae do faces. Symmetry narrows the field quickly, though it can mislead—different lineages sometimes converge on similar symmetry when they court the same pollinators. Nature is a bit of a plagiarist that way.
You’re on a path. There’s a wild thing with small yellow flowers.
Look at a single blossom: four petals in a tidy cross.
Peer at the stamens: you will find six—four long, two short. This “tetradynamous” arrangement is Brassicaceae’s calling card.
Note the seed pods later: often slender siliques (like botanical knitting needles).
Congratulations. You’ve identified a cousin of cabbage without consulting your grocer.
A pea sets its petals like furniture:
Banner: the big upper petal that says “Welcome.”
Wings: the two side petals that are making no promises.
Keel: two fused lower petals that tuck the reproductive bits away like a secret.
Add 10 stamens, frequently fused into a little ring, and you’ve landed squarely in Fabaceae. If it looks like a tiny boat, it probably is—taxonomically speaking.
Experts condense flowers into compact codes—floral formulae—which are less terrifying than they look. Take a typical mustard:
✳︎ K4 C4 A2+4 G(2)
Translation:
✳︎: radial symmetry.
K4: 4 sepals.
C4: 4 petals.
A2+4: six stamens (two short + four long).
G(2): two fused carpels (superior ovary here, though the line that marks ovary position is often shown in formal notation).
Pair that with a simple diagram and you’ve got a portable blueprint you can compare across families.
For a couple of centuries, botanists happily used flowers to keep the family tree more or less in alphabetical order. Then DNA strolled in, whistling, and began redrawing the map. The venerable figwort clan (Scrophulariaceae) turned out to be a convivial club rather than a true bloodline; foxglove (Digitalis) now bunkers cheerfully with plantains (Plantaginaceae)—the botanical equivalent of discovering your sensible cousin is, inconveniently, your sibling. The moral isn’t to toss the blossoms; it’s to read them with the genome at your elbow. Morphology hands you the map; molecules supply the updated street names.
Convergence: Unrelated plants sometimes dress alike for the same chaperone. In South Africa, a long‑proboscid fly (Prosoeca longipennis) has inspired a whole guild of unrelated flowers to converge on the same look—pale pinks and peaches, similar scents, and long, narrow tubes that neatly fit the fly’s improbable drinking straw. As the fly’s proboscis gets longer across its range, the floral tubes obligingly lengthen with it. Elsewhere, North American Penstemon has independently turned a fetching red for hummingbirds more times than is strictly decent, and monkeyflowers (Mimulus) have shifted from red to yellow with tidy genetic tweaks—different lineages, same seduction strategy. Beware lookalikes.
Reduction: wind-pollinated groups (grasses, many trees) trim frills, making parts hard to count without magnification.
Timing: some characters change during flowering; look at mature blooms when possible.
Count petals/sepals. Are they in 3s, 4s, 5s?
Check symmetry: pizza or face?
Look for fusion: petals or stamens glued together?
Find the ovary: sitting high or tucked low?
Note oddities: composite heads (Asteraceae), banner-wings-keel (Fabaceae), cross + 2+4 stamens (Brassicaceae).
Flowers are not decoration; they’re documents. They record ancestry, development, and a long conversation with pollinators. Read them and the green world becomes less of a magic trick and more of a book—with footnotes, illustrations, and the occasional plot twist courtesy of DNA. Next time you pass a bloom, don’t just admire. Count. Notice. Smile at the audacity of a daisy that isn’t a flower at all.